Fiction

I am a fiction writer who generally writes contemporary adult fiction with grounded speculative elements. I write poems, short stories, and novels.

You can read my sociological short story here in The Sociological Review.

I am writing a novel about a 29-year-old woman who can see visions of herself in the past and future. She’s never a version of herself older than 30 and begins hearing a menacing voice from her past. It is about how those with difficult pasts learn to build futures they never imagined for themselves. It features authentic representations of disability (including autism), asexuality, the foster care system, and nonbinary identity.

My poetry can be found below.

Poetry

Published in Poetry Ink by the Moonstone Art Center:

Human Nature

There is something beautiful

about the universality of humankind.

Cultural anthropologists scribble theses on

how every group has cracked open an egg.

The ingeniousness of the dumpling was felt as keenly

by the soldier scarfing a bao two millennia ago

as the drunk college student bolting his midnight calzone last night.

Every culture has a Cinderella story,

launching her into the upper echelons with such velocity

that she is perpetually scrambling midair like Wile E. Coyote.

Every ethnicity thinks they are uniquely late to events.

Every community has a rite of passage into adulthood,

although I grant not all of them involve

a chocolate fountain in the basement of a JCC

like mine.

Every society has music

because they all have heartbreak.

Every baby has the instinct to smile.

People are always dancing,

always joking.

I am told we were always kissing,

perhaps before there were even lips -

but that cannot possibly be true

because you and I invented it.

Published in Eastern Sea Bards:

Heart Points

You care for my longevity

and suggest I try to earn the

"heart points" on my phone,

measuring strenuous cardio.

Good for the heart and lungs, you say.

Still, I am resistant.

as I was to the presidential fitness test in gym class

my chest raw as a ran back to each wall of the gym

wondering why the president cared.

I could pontificate about the neoliberialization of using technology

to internalize health to take the onus

off an ailing healthcare system.

Instead I ask you

what does a fitness app know

of taking a berry blast edible

and gossiping with my best friend

with Buffy on in the background?

How does it measure

the way my heart pushes off to the races

when you send me a snap of your smile?

What can a calorie counter tell me

of cinnamon rolls on a cold day

when the sun is gone by four?

What grade can the algorithm capture

in the calculation between working late and dishes

and staring at the Netflix menu?

I could track a run

but does the computer in my pocket know

running fucking sucks?

How can 10,000 steps compare to

the miles of radioactive ruins I traversed barefoot 

just to eek the small joys out of this life?

My father died at forty five

of a cancer so rare we don't know

if it runs through both our genetic codes

or if he picked it up

nuking spaghetti-os in a Tupperware.

But all the heart points in the world

could not carry him to my graduation.

So tell me

what the robot in the app

knows of my heart.


Published in Masque and Spectacle:

Loving Grief

I love grief
and when I say this
others recoil like admitting this feeds the elephant in the room,
like grief is a party foul
rather than the centerpiece, the favor, the buoyancy.
I love my grief
because it is intimately related to yours,
because I’d rather mine be comforting sister
than repressed nuclear family.
I accept my grief
with all its jagged edges and weakened elastic
but I’ve known mine a long time.
Maybe yours is unfamiliar
so its pointed teeth and dark gleam
still scare you.
My grief is ever-present,
in the shadows of triumph and failure,
so I try to dress it up every day
not just for special occasions
with the ribbons of hurt,
the soft leather of time.
I like that it is both
unconventional and elegant.
It moves gracelessly and steadily.
The jewel of grief’s resume
is the strength of its web
in the face of loss.
Even if you’ve tried to cut it out of your own flesh,
and believe me,
you are not the first,
it connects us,
injected into art and action and values.
It is the distinct paradox of being all I am
and taking everything from me.
I live with it like the temperamental roommate
who never cleans its dishes
but feasts anyway.
I love grief because it is love,
parading in its mother’s heels of change.
What else can I do but love it?
How can I not,
when it defines the assignment
of this relentless existence?

Published in Collide Zine:

Alt text here: https://docs.google.com/document/d/1REbNECg3XespJPvs0UoWSRF_pH8nFm4OInmM_nZwXQw/edit?usp=sharing

Published in Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo Buffalo:

I Am Aging Into My Mother’s Body

I am aging into my mother’s body
as most of us do
but somehow the transmutation into her,
the molding of the clay by the gentle fingertips of time,
comes as a surprise.
Perhaps it’s because
she had highlighted our differences
when I was a child
despite my Gilmore-girls resemblance to her.
I have dark eyes where hers are green.
My hair is long and reddish.
I did not develop breasts too early,
was skinny in the right way
while her body was put through a Ninja Warrior course
of abuse and sexualization and degradation,
obstacles to self acceptance
that she knew to bulldoze for me
rather than repackage them as loathing
and re-gift, still

I am aging into my mother’s body
although I do not carry her scars.
I am unmarred by any c-section incisions.
I do not miss a chunk of flesh
from her vintage 70s smallpox vaccinations.
She believed strongly in sunscreen,
like like an offering to a sun god,
so I never developed a melanoma to remove.
Nevertheless, the flesh starts to loosen
around the muscles on my upper arms.
There are small, dark stretch marks on my stomach.
Lines deepen in the corners of my eyes where I inherited her laughter.
She was not one to ever push me away from facial expression,
embraced a resting bitch face
despite the inroads of emotion leaving wrinkles, but

I am aging into my mother’s body
and while I was mostly inoculated from self doubt
sometimes I have an errant thought
like a mosquito
that I should lose weight.
The skincare subreddit
advises me to look into Botox and fillers.
But the truth is
my body has carried me through hardship
like a camel in the desert
as my mother’s body has her.
I remind myself
I have always found her beautiful.
I never understood her aversion to tank tops or shorts,
never thought she should liquefy her shape
to pour it into an uncomfortable vessel.
So, mostly, I am honored for the opportunity
to age into my mother’s body.

Published in Mocking Heart Review:

LOVE IN A HOPELESS PLACE

Our first kiss
was next to a pile of garbage.
We laughed about how Philly it was
on a sidewalk so uneven
I would believe a monster of the week
had surfaced through it.
It was hot
in a time where there was no such thing as
unseasonable
anymore.
I thought I had it figured out – 
I have two hands.
I can hold the fluorescent, bubbly giddiness in one
and the weighty, leaden sorrow in the other.
Both can be true.
The man huddled on the pavement
will likely be jailed for losing the cold embrace
of a paycheck in a landlord’s economy,
and still I marvel at how our hands fit together.
Politicians will play ping pong with my body
in the name of meeting in the middle,
and still I find it thrilling to climb into your lap.
Our 1040s
and the religious institution that unwittingly grew us into weeds,
flushes cash into annihilation
and still I have the audacity to raise butterflies in my stomach.
But falling for you
as the soft apocalypse
shuffles unfailingly forward
has taught me I was mistaken.
Being with you has not changed how much burden
I have heaped into my baggage
but it makes me feel lighter.
And I know, intimately, that the crystalline fragility of joy
feels obscene in the wane of humanity,
but the choice is not happiness or despair.
It is to be numb
or to care at all.
And you care.
You do good
with no score to settle,
just to make the rigged game,
with its plastic station wagon of colored pegs veering off course,
easier for other players.
So if it all burns
whether because the greed finally melted us down
or we torched it to start over
I will kiss you as it rains ash.

Published in Write City:

On Poverty 

Bare knuckles

scrape by

on the bottom of the barrel.

I bob for paychecks

but is it treading if I am always underwater?

I lease my existence month to month

from babes with mouths full of silver spoons

who extoll the values of

travel

relaxation

self-care

consumption

as the real cold hard wealth.

Tell that to my 401k as it builds lactic acid

as I outrun the metallic kiss of the barrel of

another goddamn heat bill

planted between my shoulder blades.

They romanticize the grit under my fingernails

as I claw out of the red again

but concrete shoes keep me grounded.

I thought the constant pounding

was part of the chase

but it is my own heavy footfalls

on the hamster wheel.

I'm sure if I found a way out of this

that would be overdrafted too.

  

To those who have cared for me for just a wedding

Weddings,

in all their sugary spectacle,

are odd places to be perpetually single.

I put little importance on marriage myself.

I feel no ill will to the knot-tying

but often I am without a plus,

marooned at the island of the miscellaneous friends table

next to the novelty photobooth or build your own cupcake bar.

These are social events under the dressing, after all,

so I can always bum a friend during the mismatched vows

just for the night.

It can be an acquaintance I haven’t seen since college

or a coworker from another department,

a cousin of the bride’s I have heard so much about.

In a certain playground magic,

we share smiles and finger hors d'oeuvres recommendations

brought together by nothing more than a shared love of the groom

and a distaste for the father of the bride dipping his speech into misogyny.

The needles moves from sufferable to mildly enjoyable

when there is someone to make sarcastic eye contact during the macarena

or gossip with about how the drinks are hosed down.

We are destined to know each other for the eternity of someone else’s declaration of love.

We will exchange numbers,

and I could tell you about their failed first marriage

or how they’re afraid to have kids in a dying world.

But sure as I am dodging the bouquet,

and resisting getting set up with a cousin’s uncle’s son,

I will never hear from them again.

And I consider it strangely beautiful

as I think of the people who have passed through my life.

These temporary companions are perhaps the shortest term rentals

for the connection is broken once the party bus turns into a pumpkin.

However brief the flash of the photographer's gaze

they have touched me.

But of those I have loved,

I am especially grateful to

those who care for me for just for a wedding.